Everything Connected An Interview With Vertigo
In the interview titled “EVERYTHING IS CONNECTED,” artist VERTIGO discusses their artistic journey and the themes behind their latest series, “Everything Connected.” Choosing to remain anonymous, VERTIGO emphasizes the importance of focusing on the art itself rather than the artist’s identity. Their alias, inspired by Alfred Hitchcock’s film “Vertigo,” reflects a connection to themes of suspense and mystery. The “Everything Connected” series delves into the concept of memento mori, exploring the fragile boundary between physical existence and the intangible, using recurring motifs like skulls and halos to symbolize this connection. (blog.objkt.com)
VERTIGO’s creative process involves blending various materials, including public domain images, 3D elements, personal photographs, digital painting, and animation, all composed in Photoshop. Recently, they have incorporated AI tools to generate specific elements or textures, enhancing their digital collages. The decision to depict faceless figures in their work is intentional, aiming to strip away individual identity and focus on the shared human experience. This approach allows viewers to project their interpretations onto the art, emphasizing universal themes over personal narratives. (blog.objkt.com)
The themes and ideas in VERTIGO’s “Everything Connected” series resonate with several digital artworks that explore symbolism, memento mori, faceless figures, and digital collage techniques. For instance, “Screen People 3 #27” by Estelle Flores presents a solitary figure reclining on a floral-patterned couch, surrounded by a muted earth-toned interior. The composition’s warm tones and the presence of an urn on the table suggest themes of comfort, confinement, and mortality, aligning with VERTIGO’s exploration of the fragile line between life and death.
Similarly, “NO SYMBOLISM” by Užupis features abstract elements like an orange cross and a yellow bird against a stark black background, interwoven with pink lines suggesting movement and connection. Despite its title, the artwork’s components carry potential symbolic weight, such as themes of faith, freedom, and interconnectedness. This mirrors VERTIGO’s use of recurring motifs to suggest connections between the physical and the intangible.
“Digital Silence” by bothko employs abstract forms and geometric shapes to depict the chaos of a digital crash, with a central area of chaotic brushstrokes enclosed by rectilinear borders. The dynamic mix of deep blues, reds, and vivid yellows against neutral tones creates a sense of motion and depth, reflecting the disruption and disorder inherent in technological failures. This exploration of chaos and order parallels VERTIGO’s thematic focus on the delicate balance between existence and the unknown.
In “Fundament” by Anna Malina, a dark, shadowy house is set against a vivid pink sky filled with glitch-like vertical streaks of color. The solitary house symbolizes isolation or permanence amidst chaos, while the vibrant, distorted sky evokes notions of the virtual intruding upon the physical realm. This interplay between stability and disruption resonates with VERTIGO’s exploration of the connections between life and what lies beyond.
Lastly, “A regular walk in a regular park on a regular Sunday.” by AEMPATIA combines a vintage photograph with digital manipulation, featuring two figures obscured by yellow vertical glitches. The juxtaposition of digital and analog elements challenges notions of memory and authenticity, reflecting on the intrusion of technology into personal histories. This aligns with VERTIGO’s use of faceless figures and digital collage to explore the shared human experience and the ephemeral nature of existence.
These artworks, like VERTIGO’s “Everything Connected” series, utilize symbolism, faceless figures, and digital collage techniques to delve into themes of mortality, identity, and the intersection of the physical and digital realms. Through their visual and conceptual elements, they invite viewers to reflect on the transient nature of existence and the connections that bind us all.
References
Source Article
https://blog.objkt.com/post/everything-connected-an-interview-with-vertigo
Artworks
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“Screen People 3 #27” by Estelle Flores
Estelle Flores, Screen People 3 #27
Breathing -
“NO SYMBOLISM” by Užupis
Užupis, NO SYMBOLISM
NO -
“Digital Silence” by bothko
bothko, Digital Silence
Microsoft 365 crashes leaving people without access to their emails. Inspired by global news events (Metro). Autonomously painted and minted by #bothko. -
“Fundament” by Anna Malina
Anna Malina, Fundament
{2026} :: digital collage, gel plate laser image transfer, paper collage, scanner manipulation, photoshop editing, GIMP selection tool animation ~ -
“Overlay” by Ilya Bliznets
Ilya Bliznets, Overlay
Digital painting, collage 2026 -
“A regular walk in a regular park on a regular Sunday.” by AEMPATIA
AEMPATIA, A regular walk in a regular park on a regular Sunday.
Digital manipulation on old photograph, collage and a grass scanography aem 2025 -
“III. ‘Where are my Crypto Bones?’ | In the Head Collection” by Yan Lucas Migóne
Yan Lucas Migóne, III. ‘Where are my Crypto Bones?’ | In the Head Collection
Fall rise and start again, Feeling the flames of life and start again. • Animated GIF loop, frame by frame, free hand digital oil painting. 2024. -
“The Dark Side” by thesantosa
thesantosa, The Dark Side
Seeing the dark side between humanity and capitalism. -
“CHEEPCARDZ #42 - ‘NO SPOON’” by MyNameIsTru3
MyNameIsTru3, CHEEPCARDZ #42 - ‘NO SPOON’
CHEEPCARDZ #42 - NO SPOON by TenFiveEleven 2021 Original Piece 2021 (PAINT, Digital, Collage, Digital Paint) all Original Digital Collage and Poem / Haiku - Always Original! Collect em All! New Cardz dropping all the time! SO CHEEP! Never Copied - Always Modified! Original Digital Paint / Canvas 2021 - MAGRITTE / MATRIX / REMIX -
“Interactive Error” by Resatio
Resatio, Interactive Error
Move the cursor and click the image _ After René Magritte: The Treachery of Images Surrealism turns 100 this year Digital collage, digital drawing, and code
Keywords
symbolism, memento mori, faceless figures, digital collage