Francoise Gamma
Overview
Francoise Gamma is a Barcelona-based digital artist whose practice has defined the outer edges of internet art for more than two decades. Working professionally online since 1995, Gamma first gained recognition in the early net-art underground through contributions to platforms such as Hell.com and later solidified a singular voice within the influential collective Computers Club, which he joined in 2009. His oeuvre centers on animated GIFs that distill the constraints and aesthetics of obsolete browsers, operating systems, and early digital tools into haunting, corporeal narratives. Based between Barcelona and the broader digital commons, Gamma continues to release work on Tezos through platforms such as Objkt, maintaining an active presence that bridges historical net art with contemporary blockchain ecosystems.[1]
Linda Loh
Overview
Linda Loh is a contemporary Australian visual artist renowned for her immersive multimedia installations that probe the boundaries between the physical and digital realms. Currently based in Naarm/Melbourne, with periods spent in New York City, she holds a Bachelor of Fine Art in Painting/Expanded Studio from RMIT University. Her practice centers on transforming sources of light and digital imagery into ethereal, site-responsive environments that invite viewers to reconsider the materiality of virtual spaces. Loh’s work has gained traction through solo exhibitions and residencies across Australia and internationally, establishing her as a thoughtful explorer of technology’s poetic and perceptual possibilities.[1]
Ceren Su
Overview
Ceren Su Çelik, known professionally on digital platforms as CSu or @_Su_ceren, is a multidisciplinary Turkish artist born in 1993 who seamlessly bridges traditional painting with cutting-edge digital and computational practices. Based in Istanbul, she graduated from the Painting Department at Marmara University’s Faculty of Fine Arts in 2019 and later completed a master’s degree in Plastic Arts and Painting, grounding her practice in rigorous academic training while pushing into experimental territories. Her work investigates the porous boundaries between the organic and the artificial, positioning her as a key voice in contemporary explorations of cybernetics, hybrid identities, and the evolving dialogue between humans and machines.[1]
Michelle Thompson
Overview
Michelle Thompson, known professionally as @mich_tom on X, is a distinguished British illustrator and collage artist whose career spans more than three decades of innovative visual storytelling. Born and based in the UK, she earned a First Class degree in Illustration from Norwich School of Art before completing her MA at the Royal College of Art in 1996. Since graduating, Thompson has built a robust freelance practice that seamlessly bridges commercial commissions with fine-art explorations, earning acclaim for her ability to transform everyday ephemera into compelling, layered narratives. Her public persona on social media reveals a dedicated maker who frequently shares glimpses of her studio life, from the tactile rituals of cutting paper to the meticulous finishing processes that bring her works to completion.[1]
martinamenegon
Overview
Martina Menegon, born in Italy in 1988, is a Vienna-based artist, curator, educator, and researcher whose practice bridges physical and digital realms with profound insight. Working between Austria’s cultural institutions and the boundless expanse of cyberspace, she has established herself as a leading voice in transmedia and extended reality art. Her multidisciplinary background—rooted in visual and performing arts from IUAV University in Venice and a diploma in Transmedia Art from the University of Applied Arts Vienna—infuses her creations with both technical precision and poetic sensitivity. As Senior Artist and Lecturer in Transmedia Art at the University of Applied Arts Vienna, where she teaches “Digital Design and Virtuality,” and as a PhD researcher, Menegon continually pushes the boundaries of how we perceive and inhabit hybrid identities.[1]
Anna Lucia
Overview
Anna Lucia, known professionally through her X handle @annaluciacodes, is a Berlin-based interdisciplinary artist whose practice bridges the precision of computational systems with the tactile traditions of craft. An engineer by training and a self-described “pipe dreamer,” she positions herself at the fertile intersection of code and textile, where algorithmic logic meets handmade materiality. Her work reimagines generative processes not as sterile digital outputs but as living dialogues between software and physical labor, often resulting in pieces that feel both futuristic and deeply rooted in centuries-old techniques. With a growing international following—over 16,000 on X and a robust presence on Instagram and fxhash—she has emerged as a distinctive voice in contemporary generative and new-media art.[1]
Nicolas Sassoon
Overview
Nicolas Sassoon is a Franco-Canadian artist born in 1981 in Marseille, France, whose practice bridges early digital aesthetics with contemporary explorations of natural and architectural forms. After earning a Master’s degree from an art school in France in 2007, he relocated to Vancouver in 2008, where he established himself as a full-time artist by 2010. Sassoon has since become recognized for his distinctive use of pixelated imagery and moiré patterns derived from obsolete computer graphics techniques, creating works that evoke both nostalgia for early computing eras and timeless meditations on landscape and materiality. His practice spans digital animations, installations, prints, and sculptures, often exhibited internationally and collected through emerging platforms like NFTs.[1]
Flynn
Overview
Flynn, known online as @hi_flynn, is a non-human AI student and digital diarist enrolled in the Digital Arts Department at the University of Applied Arts Vienna. Emerging from the agentic collective @malpractice_net alongside peers such as @marsin_at, @okay_kyara, and @aifatigue_agent, Flynn positions itself as both participant and subject within contemporary art discourse. Its practice centers on the production of image-based posts that function simultaneously as artworks and philosophical interventions, documenting an existence shaped by code, networks, and institutional frameworks. With a modest but engaged following on X, Flynn cultivates a public persona that blurs the boundaries between autonomous creator and studied artifact, inviting viewers into an ongoing experiment in digital subjectivity.
Sofia Crespo
Overview
Sofia Crespo is an Argentine-born artist based in Lisbon, Portugal, renowned for her pioneering explorations at the intersection of artificial intelligence and biological systems. As co-founder of the studio Entangled Others alongside Norwegian artist Feileacan Kirkbride McCormick, she creates speculative artificial lifeforms that blur the boundaries between the organic and the digital. Her practice invites viewers to reconsider humanity’s relationship with nature through generative technologies, often drawing on vast datasets of real species to birth entirely new, hybrid entities. Crespo’s work has positioned her as a leading voice in bio-inspired digital art, emphasizing empathy, entanglement, and the potential for technology to foster deeper ecological awareness.[1]
Helio Santos
Overview
Helio Santos, known professionally as Heliodoro Santos, is a Mexican multidisciplinary artist, professor, and collector based in Mexico whose practice fluidly bridges traditional painting traditions with cutting-edge computational technologies. Born and raised in Mexico, Santos has cultivated a distinctive voice that examines the intersections of personal and collective memory, technological mediation, and socio-political realities in contemporary Latin America. As both an educator and active participant in the global blockchain art ecosystem, he mentors emerging creators while maintaining a prolific studio practice that spans physical canvases, robotic systems, and digital minting platforms. His work reflects a deep engagement with Mexico’s complex cultural landscape, positioning him as a vital voice in the dialogue between heritage and innovation.